http://hdl.handle.net/11133/71 1981-03 Fri, 17 Apr 2026 19:17:06 GMT 2026-04-17T19:17:06Z http://hdl.handle.net/11133/1786 タイトル: n 価代数型函数についての 1 注意 著者: 橋本, 有司 抄録: In this paper, we show some property of the n-valued algebroid functions of λ=n-1,and then give proofs of some well-known theorems concerning the deficiencies of n-valued entire algebroid functions and the Picard constants of n-sheeted regularly branched covering surfaces of |z| <∞. Mon, 30 Mar 1981 15:00:00 GMT http://hdl.handle.net/11133/1786 1981-03-30T15:00:00Z http://hdl.handle.net/11133/1787 タイトル: 運動部に対する学生の態度の研究(第二報) 著者: 神代, 古典 抄録: In the first paper, it was reported that the reason why the students of the sports-clubs is decreasing is in both the sports-clubs and the students. And the purpose of this paper is to reconsider this point by making inquiries to students from another point of view. Mon, 30 Mar 1981 15:00:00 GMT http://hdl.handle.net/11133/1787 1981-03-30T15:00:00Z http://hdl.handle.net/11133/1783 タイトル: 詩心と崇高な人物 著者: 森, 豪 抄録: Those who have the poetic minds, can "have an under-sense of greatest among least things, and see the parts as parts, but with a feeling of the whole." Those minds are not restricted to poets. Wordsworth's sublime figures have them. The types of those figures are Michael and a Leech-gatherer. Michael has two aspects. The first one is that he is outwardly sublime, and the second is that he is a mortal being. He meets with a misfortune, but he is not overwhelmed by it. It is made possible by his poetic mind that he keeps working in spite of his unhappiness. And we can find him sublime. The Leech-gatherer has only the same aspect as Michael's second aspect. He is not outwardly sublime, but he is sublime because we can feel immortality through his mortality like Wordsworth. Wordsworth's consciousness of his own mortality makes him appreciate the Leech-gatherer's sublimity. The poetic mind is most active, when he who has the poetic mind, appreciates his own mortality. It can be seen in King Lear, too. The poetic mind has the deep relation with mortality, and sublimity appears most conspicuous, when the poetic mind transforms mortality into immortality with a sublime consciousness of the soul's immortality. Mon, 30 Mar 1981 15:00:00 GMT http://hdl.handle.net/11133/1783 1981-03-30T15:00:00Z http://hdl.handle.net/11133/1784 タイトル: Chaucer における 'Gentilesse' の二つの面 著者: 安藤, 光史 抄録: The word 'gentilesse' (gentility) Chaucer uses is a word with surprisingly multiple meanings, which is often a key-word to understand his works. But the word, as some critics have pointed out, is difficult to define because of its multiplicity and its ambiguity. Among his early poems are two ballads treating 'gentilesse' as their theme-Gentilesse and The Complaint of Venus, which show two levels of Chaucer's 'gentilesse' : 'verray gentilesse' and 'courtly gentilesse.' In each case one word 'gentilesse' is used as a generic name of various virtues necessary for men, but they are quite different in nature from each other. The former is grounded upon Christianity, and the latter, upon Courtly Love. Sometimes Chaucer uses them vaguely, and sometimes specifically. The Wife of Bath's Tale, The Parson's Tale and so on offer examples of 'verray gentilesse, ' and Troilus and Criseyde, The Romaunt of the Rose and so on, examples of 'courtly gentilesse.' Thus, presenting both levels of 'gentilesse, ' Chaucer appeals to the audience to turn their eyes not on 'courtly gentilesse, ' however fascinating, but on 'verray gentilesse.' Mon, 30 Mar 1981 15:00:00 GMT http://hdl.handle.net/11133/1784 1981-03-30T15:00:00Z