<?xml version="1.0" encoding="UTF-8"?>
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  <title>DSpace コレクション: 1982-03</title>
  <link rel="alternate" href="http://hdl.handle.net/11133/72" />
  <subtitle>1982-03</subtitle>
  <id>http://hdl.handle.net/11133/72</id>
  <updated>2026-01-24T11:25:16Z</updated>
  <dc:date>2026-01-24T11:25:16Z</dc:date>
  <entry>
    <title>GerardのAn Essay on TasteとWordsworth</title>
    <link rel="alternate" href="http://hdl.handle.net/11133/1797" />
    <author>
      <name>森, 豪</name>
    </author>
    <id>http://hdl.handle.net/11133/1797</id>
    <updated>2013-01-10T16:44:18Z</updated>
    <published>1982-03-30T15:00:00Z</published>
    <summary type="text">タイトル: GerardのAn Essay on TasteとWordsworth
著者: 森, 豪
抄録: This paper deals with the comparison between Gerard's thought on Sublimity and Beauty in his An Essay on Taste, and Wordsworth's thought on those. Gerard discusses the joys of Sublimity and Beauty. He says we are pleased to find our faculties excellent when we face sublime or beautiful objects. In Wordsworth's case, our faculties sleep when we face those objects and feel pleasure. There is a difference between their thoughts about "ego." Wordsworth considers that the "ego" is dual. His pleasure arises from the deep and divine "ego." Then Gerard distinguishes Sublimity and Beauty, but thinks that they exert reciprocal influences on each other. Those qualities exist in the same object in Wordsworth, too. But Wordsworth says that they do not affect our minds at the same time. Taking Wordsworth's words into consideration, we had better think that Wordsworth's two qualities in the same object are similar to Gerard's "principal" and "subordinate" qualities. Wordsworth's those qualities are shown as the foreground and the background in "It is a beauteous evening." And Gerard's imagination is similar to Wordsworth's. But Gerard does not think of imagination and fancy from the religious point of view. The main difference between Wordsworth and Gerard is in the difference between their religious minds.</summary>
    <dc:date>1982-03-30T15:00:00Z</dc:date>
  </entry>
  <entry>
    <title>大学の体育実技の指導に関する研究 : 運動技能上位者と下位者との授業に対する態度の差異の分析(第二報)</title>
    <link rel="alternate" href="http://hdl.handle.net/11133/1794" />
    <author>
      <name>神代, 古典</name>
    </author>
    <id>http://hdl.handle.net/11133/1794</id>
    <updated>2013-01-10T16:44:16Z</updated>
    <published>1982-03-30T15:00:00Z</published>
    <summary type="text">タイトル: 大学の体育実技の指導に関する研究 : 運動技能上位者と下位者との授業に対する態度の差異の分析(第二報)
著者: 神代, 古典
抄録: In the first paper (part 1), we tried to make the teaching method in which both high motor-ability students and low-ability students take more positively part in the Physical edcation activities class. The purpose of this study is to result inquired this subject into the problem.</summary>
    <dc:date>1982-03-30T15:00:00Z</dc:date>
  </entry>
  <entry>
    <title>『ジェントルマン』概念過程における身体運動の史的研究(1) : Th. Elyotの"The Boke Named the Gouernour"を中心として</title>
    <link rel="alternate" href="http://hdl.handle.net/11133/1795" />
    <author>
      <name>山田, 岳志</name>
    </author>
    <id>http://hdl.handle.net/11133/1795</id>
    <updated>2013-01-10T16:44:17Z</updated>
    <published>1982-03-30T15:00:00Z</published>
    <summary type="text">タイトル: 『ジェントルマン』概念過程における身体運動の史的研究(1) : Th. Elyotの"The Boke Named the Gouernour"を中心として
著者: 山田, 岳志
抄録: In diesem geschichtlichen Studium handelt es sich um Th. Elyots Gedanken uber die korperlichen und sportlichen Bewegungen. In diesem Studium bedeutet es auch das Problem der Geschichte, die Entwicklung des Gedanken uber die korperlichen und sportlichen Bewegungen fur den GestaltungsprozeB von dem Gentleman-Begriff zu erforschen und zu erklaren. Aber diese Frage ist schon mehr-fach behandelt worden, und uber dieses Thema liegen bereits mehrere Abhandlungen vor, trotzdem mochte ich sie hier noch einmal aufnehmen. In England ist es heute allgemein bekannt, daB man die Forschung nach der Entwicklungsgeschichte des Gentleman-Begriffs in England nicht missen kann, wenn man die Entwicklung der korperlichen und sportlichen Bewegungen in England in der fruhen Neuzeit geistesgeschichtlich erforschen will. Die Worter, wie zum Beispiel Fair-play, amateurism und sportmanship, sind die Handlungsweise und Denkensweise fur das Gentleman-leben geworden. Um diesen Studiumshauptsatz zu erklaren, handelt es sich um Th. Elyots "The Boke Named the Gouernour", und sind zunacht die folgenden vier Grundstandpunkte des Studiums anzunehmen. Im ersten Abschnitt handelt es sich um den Gentleman-Begriff fur Th. Elyots Werk "The Boke Named the Gouernour", Im zweitten Abschnitt handelt es sich um die Klassenzugehorigkeit in diesem Buch. Im dritten Abschnitt werde ich uber den Zusammenhang zwishen der Achtung gegen den moralischen Wert und der antiken Wissenschaft in diesem Buch handeln. Im vierten Abschnitt handele ich uber den Zusammenhang zwischen der Achtung gegen den moralischen Wert und den korperlichen und sportlichen Bewegungen.</summary>
    <dc:date>1982-03-30T15:00:00Z</dc:date>
  </entry>
  <entry>
    <title>牧歌に於ける死者</title>
    <link rel="alternate" href="http://hdl.handle.net/11133/1796" />
    <author>
      <name>森, 豪</name>
    </author>
    <id>http://hdl.handle.net/11133/1796</id>
    <updated>2013-01-10T16:44:18Z</updated>
    <published>1982-03-30T15:00:00Z</published>
    <summary type="text">タイトル: 牧歌に於ける死者
著者: 森, 豪
抄録: This essay deals with the dead in Theocritus', Vergil's, Spenser's, and Wordsworth's pastorals. Its aim is to study how the dead are described in those pastorals, and consider the relation between the ideal world, and time which seems a destructive element in the ideal world. There is no mutability in Theocritus' sweet world. Daphnis' death is not regarded as decay caused by mutability in his Idyll. Vergil creates "Arcadia" as the ideal world which is beyond time. There is a consciousness of mutability behind his idea of "Arcadia." His dead Daphnis is respected as a god who brings peace to his people because everyone knows the peaceful world is destroyed easily and immediately. Spenser has a consciousness of time. So he gives the calender structure to his eclogues. His Dido dies, and revives in the Christian heaven which is his ideal world beyond time. Wordsworth's ideal world is nature. He gives the most important role to nature which has been an important but subordinate element of pastoral from the beginning. His dead becomes a part of nature. Only eternal nature exists after his Michael dies.</summary>
    <dc:date>1982-03-30T15:00:00Z</dc:date>
  </entry>
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